সোমবার, ২১ জানুয়ারি, ২০১৩

Free Legal Question: Criminal Law | Florida | Hello, | LawGuru

Hello,

I had an active warrant in Marion County, Florida for violation of probation (Possession of Cannibus less than 20 grams). The warrant was issued in 2004. It is now inactive or it is gone(according to the website MarionSO.com and the Warrant Department) but I'm not totally sure. I am currently living outside of the United States. My question is, can this warrant be re-activated if I re-enter the United States in Florida? The last few times I entered through California and TSA detained me and told me I had a warrant but they took no action as Florida chose not to extradite. Can TSA or the State of Florida do anything if I go through customs in Florida? Thank you for helping me out with this.

Mike

Source: http://www.lawguru.com/legal-questions/-/helloi-active-warrant-marion-county-883724766/

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Cardinals Hall of Famer Stan Musial dies at age 92

ST. LOUIS (AP) -- No last name necessary.

A slew of batting titles. Corkscrew stance. Humble. A gentleman. All-around good guy.

Stan the Man.

Stanley Frank Musial, the St. Louis Cardinals star who was one of the greatest players in the history of baseball, died Saturday. He was 92.

''I never heard anybody say a bad word about him - ever,'' Willie Mays said in a statement released by the Hall of Fame.

The Cardinals announced Musial's death in a news release and said he died at his home in Ladue, a St. Louis suburb, surrounded by family. The team said Musial's son-in-law, Dave Edmonds, informed the club of the slugger's death.

Earlier Saturday, baseball lost another Hall of Famer when longtime Baltimore Orioles manager Earl Weaver died at age 82.

Musial, the Midwest icon with too many batting records to fit on his Hall of Fame plaque, was so revered in St. Louis that two statues in his honor stand outside Busch Stadium - one just wouldn't do him justice. He was one of baseball's greatest hitters, every bit the equal of Ted Williams and Joe DiMaggio even without the bright lights of the big city.

Musial won seven National League batting crowns, was a three-time MVP and helped the Cardinals capture three World Series championships in the 1940s.

He spent his entire 22-year career with the Cardinals and made the All-Star team 24 times - baseball held two All-Star games each summer for a few seasons. He had been the longest-tenured living Hall of Famer.

''Stan will be remembered in baseball annals as one of the pillars of our game,'' Hall of Fame President Jeff Idelson said. ''The mold broke with Stan. There will never be another like him.''

A pitcher in the low minors until he injured his arm, Musial turned to playing the outfield and first base. It was a stroke of luck for him, as he went on to hit .331 with 475 home runs before retiring in 1963.

Widely considered the greatest Cardinals player ever, the outfielder and first baseman was the first person in team history to have his number retired. Ol' 6 probably was the most popular, too, especially after Albert Pujols skipped town.

''I will cherish my friendship with Stan for as long as I live,'' Pujols wrote on Twitter. ''Rest in Peace.''

At the suggestion of a pal, actor John Wayne, Musial carried around autographed cards of himself to give away. He enjoyed doing magic tricks for kids and was fond of pulling out a harmonica to entertain crowds with a favorite, ''The Wabash Cannonball.''

Scandal-free and eager to play every day, Musial struck a chord with fans throughout America's heartland and beyond. For much of his career, St. Louis was the most western outpost in the majors, and the Cardinals' vast radio network spread word about him in all directions.

Farmers in the field and families on the porch would tune in, as did a future president - Bill Clinton recalled doing his homework listening to Musial's exploits.

''We have lost the most beloved member of the Cardinals family,'' team chairman William DeWitt Jr. said.

Musial's public appearances dwindled in recent years, though he took part in the pregame festivities at Busch Stadium during the 2011 postseason as the Cardinals won the World Series. And he was at the White House in February 2011 when President Barack Obama presented him with the Presidential Medal of Freedom, America's highest civilian honor for contributions to society.

At the ceremony, President Obama said: ''Stan remains to this day an icon untarnished, a beloved pillar of the community, a gentleman you'd want your kids to emulate.''

He certainly delivered at the plate.

Musial never struck out 50 times in a season. He led the NL in most every hitting category for at least one year, except homers. He hit a career-high 39 home runs in 1948, falling one short of winning the Triple Crown.

''Major League Baseball has lost one of its true legends in Stan Musial, a Hall of Famer in every sense and a man who led a great American life. He was the heart and soul of the historic St. Louis Cardinals franchise for generations,'' Commissioner Bud Selig said. ''As remarkable as 'Stan the Man' was on the field, he was a true gentleman in life. All of Major League Baseball mourns his passing.''

In all, Musial held 55 records when he retired in 1963. Fittingly, the accolades on his bronze Hall plaque start off with this fact, rather than flowery prose: ''Holds many National League records ...''

He played nearly until his 43rd birthday, adding to his totals. He got a hit with his final swing, sending an RBI single past Cincinnati's rookie second baseman - that was Pete Rose, who would break Musial's league hit record of 3,630 some 18 years later.

Of those hits, Musial got exactly 1,815 at home and exactly 1,815 on the road. He also finished with 1,951 RBIs and scored 1,949 runs.

All that balance despite a most unorthodox left-handed stance. Legs and knees close together, he would cock the bat near his ear and twist his body away from the pitcher. When the ball came, he uncoiled.

Unusual, that aspect of Musial.

Asked to describe the habits that kept him in baseball for so long, Musial once said: ''Get eight hours of sleep regularly. Keep your weight down, run a mile a day. If you must smoke, try light cigars. They cut down on inhaling.''

One last thing, he said: ''Make it a point to bat .300.''

As for how he did that, Musial offered a secret.

''I consciously memorized the speed at which every pitcher in the league threw his fastball, curve, and slider,'' he said. ''Then, I'd pick up the speed of the ball in the first 30 feet of its flight and knew how it would move once it has crossed the plate.''

It worked pretty well, considering Musial began his baseball career as a pitcher in the low minors. And by his account, as he said during his induction speech in Cooperstown, an injury had left him as a ''dead, left-handed pitcher just out of Class D.''

Hoping to still reach the majors, he turned to another position. It was just the change he needed.

Musial made his major league debut late in 1941, the season that Williams batted .406 for the Boston Red Sox and DiMaggio hit in a record 56 straight games for the New York Yankees.

Musial never expressed regret or remorse that he didn't attract more attention than the cool DiMaggio or prickly Williams. Fact is, Musial was plenty familiar in every place he played.

Few could bring themselves to boo baseball's nicest superstar, not even the Brooklyn Dodgers crowds that helped give him his nickname, a sign of weary respect for his .359 batting average at Ebbets Field.

Many, many years before any sports fans yelled ''You're the man!'' at their favorite athletes, Stan was indeed the Man.

Dodgers pitcher Preacher Roe once joked about how to handle Musial: ''I throw him four wide ones and then I try to pick him off first base.''

Brooklynites had another reason to think well of Musial: Unlike Enos Slaughter and other Cardinals teammates, he was supportive when the Dodgers' Jackie Robinson broke baseball's color barrier in 1947. Bob Gibson, who started out with the Cardinals in the late 1950s, would recall how Musial had helped established a warm atmosphere between blacks and whites on the team.

''I knew Stan very well,'' Mays said. ''He used to take care of me at All-Star games, 24 of them. He was a true gentleman who understood the race thing and did all he could.''

Like DiMaggio and Williams, Musial embodied a time when the greats stayed with one team. He joined the Cardinals during the last remnants of the Gas House Gang and stayed in St. Louis until Gibson and Curt Flood ushered in a new era of greatness.

''Sad to hear about Stan the Man, it's an honor to wear the same uniform,'' current Cardinals slugger Matt Holliday tweeted.

The only year Musial missed with the Cardinals was 1945, when he was in the U.S. Navy during World War II. He was based in Pearl Harbor, assigned to a unit that helped with ship repair.

Before and after his military service, he was a star hitter.

''St. Louis has been lucky to have a player like Stan Musial. He will always be Mr. Baseball,'' Hall of Fame Cardinals manager Whitey Herzog said. ''It's a very big loss. You can go around the world and you'll never find a better human being than Stan Musial.''

Musial was the NL MVP in 1943, 1946 and 1948, and was runner-up four other years. He enjoyed a career remarkably free of slumps, controversies or rivalries.

''Stan was a favorite in Cooperstown, from his harmonica rendition of 'Take Me Out to the Ball Game' during Hall of Fame Induction Ceremonies, to the reverence he commanded among other Hall of Fame members and all fans of the game. More than just a baseball hero, Stan was an American icon and we will very much miss him in Cooperstown,'' Hall of Fame chairman Jane Forbes Clark said.

The Cardinals were dominant early in Musial's career. They beat DiMaggio and the Yankees in the 1942 World Series, lost to the Yankees the next year and defeated the St. Louis Browns in 1944. In 1946, the Cardinals beat Williams and the visiting Red Sox in Game 7 at Sportsman's Park.

Musial, mostly a left fielder then, starred with Terry Moore in center and Slaughter, another future Hall of Famer, in right, making up one of baseball's greatest outfields. Later on, Musial would switch between the outfield and first base.

Musial never played on another pennant winner after 1946. Yet even after the likes of Mays, Mickey Mantle and Hank Aaron came to the majors, Musial remained among baseball's best.

The original Musial statue outside the new Busch Stadium is a popular meeting place before games and carries this inscription: ''Here stands baseball's perfect warrior. Here stands baseball's perfect knight.''

''Everybody's a Musial fan,'' Herzog once said.

Musial gave the press little to write about beyond his grace and greatness on the field. He didn't date movie stars, spike opponents or chew out reporters or umpires.

In 1958, he reached the 3,000-hit level and became the NL's first $100,000-a-year player. Years earlier, he had turned down a huge offer to join the short-lived Mexican League. He never showed resentment over the multimillion dollar salaries of modern players. He thought they had more fun in his days.

''I enjoyed coming to the ballpark every day and I think we enjoyed the game,'' Musial said in a 1991 Associated Press interview. ''We had a lot of train travel, so we had more time together. We socialized quite a bit and we'd go out after ballgames.''

He was elected to the Hall of Fame in 1969, his first year of eligibility.

''It was, you know, a dream come true,'' Musial once said. ''I always wanted to be a ballplayer.''

After retiring as a player, Musial served for years in the Cardinals' front office, including as general manager in 1967, when the Cardinals won the World Series.

In the 1970s, he occasionally played in Old-Timers' Day games and could still line the ball to the wall. He was a fixture for decades at the Cooperstown induction ceremonies and also was a member of the Hall's Veterans Committee. Often, after the Vets panel had voted, he'd pull out a harmonica conveniently located in his jacket pocket and lead the other members in a rendition of ''Take Me Out to the Ball Game.''

Into the 2000s, Musial would spend time with the Cardinals at spring training, thrilling veterans and rookies alike with his stories.

Ever ready, he performed the national anthem on his harmonica at least one opening day at Busch Stadium. Musial learned his music during overnight train trips in the 1940s and in the 1990s was a member of a trio known as ''Geriatric Jazz'' and collaborated on a harmonica instructional book.

Stanley Frank Musial was born in Donora, Pa., on Nov. 21, 1920, son of a Polish immigrant steelworker. He began his minor league career straight out of high school, in June 1938, and soon after married high school sweetheart Lillian Labash, with whom he had four children.

Musial fell in 1940 while trying to make a tough catch and hurt his left arm, damaging his pitching prospects. Encouraged by minor league manager Dickie Kerr to try playing the outfield, he did so well in 1941 that the Cardinals moved him up to the majors in mid-September - and he racked up a .426 average during the final weeks of the season.

In his best year, 1948, he had four five-hit games and batted .376, best in the National League. He also led his league that year in runs scored (135), hits (230), total bases (429), doubles (46), and triples (18).

In 1954, he set a major league record with five home runs in a doubleheader against the New York Giants. He hit .300 or better in 16 consecutive seasons and hit a record six home runs in All-Star play, including a 12th-inning, game-winning shot in 1955.

In 1962, at age 41, he batted .330 and hit 19 home runs. In his final game, on Sept. 29, 1963, he had two hits at Busch Stadium against the Reds and the Cardinals retired his uniform number.

He was active in business, too. He served as a director of the St. Louis-based Southwest Bank. He was co-owner of a popular St. Louis steakhouse, ''Stan Musial and Biggie's,'' and a bowling alley with former teammate Joe Garagiola (leading to a bitter fallout that eventually got resolved). He later ran Stan the Man Inc., specializing in merchandise he autographed. Musial was known for handing out folded $1 bills.

A prominent Polish-American, he was a charter member of the National Polish-American Sports Hall of Fame and was warmly regarded by his ancestral country, which in 2000 dedicated Stan Musial Stadium in Kutno, Poland. Musial also was involved politically, campaigning for John F. Kennedy in 1960 and serving as Lyndon Johnson's director of the President's Council on Physical Fitness.

Musial's versatility was immortalized in verse, by popular poet of the times Ogden Nash, who in ''The Tycoon'' wrote of the Cardinals star and entrepreneur:

''And, between the slugging and the greeting,

To the bank for a directors' meeting.

Yet no one grudges success to Stan,

Good citizen and family man,

Though I would love to have his job

One half tycoon, one half Ty Cobb.''

The Cardinals said Musial is survived by his four children, Richard, Gerry, Janet and Jean, as well as 11 grandchildren and 12 great grandchildren.

Musial's wife died in May 2012.

Funeral arrangements had not yet been finalized, the Cardinals said. The team set up a memorial site around one of Musial's statues at Busch Stadium.

---

Associated Press writer Hillel Italie contributed to this report.

Source: http://us.rd.yahoo.com/sports/rss/top/SIG=12l6k0ler/*http%3A//sports.yahoo.com/news/cardinals-hall-famer-stan-musial-010325831--mlb.html

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রবিবার, ২০ জানুয়ারি, ২০১৩

Miss Piggy's Version Of Global Warming: What About Me?

Here's a new, sly, (and frankly selfish) way to think about global warming: instead of worrying about the whole planet and all its oceans, how about asking a more personal question ...

What about me? What about where I live? Or where my grandma lives? Or the North Pole? Or Siberia? What if I could take my curser, plop it onto any place on Earth and find out what's happened to temperatures right there.

Click! And a graph instantly registers how much temperatures have changed in that very region since the early 1950's. You can click anywhere you please, on deserts, oceans, island chains, mountains, on places you love or dream of, and discover if things have been warming up or cooling down, and by how much. Some places, I noticed have gotten colder. But not many. It's easy to do. Go ahead, give it a whirl.

This graphic appears on New Scientist's website. It was built by Chris Amico and Peter Aldhouse, with help from Robert Schmunk from data produced by a team at NASA's Goddard Institute for Space Studies, whose offices, as it happens, are located not far from the Greek diner you see featured on Seinfeld in New York City.

The team attached some detailed source material to their graphic that some of you will want to read. I'd put this stuff in fine print, but we at NPR don't have a "fine print option" for our blogs, so if you don't want to know this, squint or go walk the dog. (Or listen to Radiolab. I'm told it's a fine podcast.) For the rest of you:

How The Data Was Assembled And Adjusted:

The graphs and maps all show changes relative to average temperatures for the three decades from 1951 to 1980, the earliest period for which there was sufficiently good coverage for comparison. This gives a consistent view of climate change across the globe. To put these numbers in context, the NASA team estimates that the global average temperature for the 1951-1980 baseline period was about 14 ?C.

The analysis uses land-based temperature measurements from some 6000 monitoring stations in the Global Historical Climatology Network, plus records from Antarctic stations recorded by the Scientific Committee on Antarctic Research. Temperatures at the ocean surface come from a measurements made by ships from 1880 to 1981, plus satellite measurements from 1982 onwards.

Surface temperature measurements are not evenly distributed across the globe. So the NASA team interpolates from the available data to calculate average temperatures for cells in a global grid, with each cell measuring 2 degrees latitude by 2 degrees longitude. The analysis extrapolates up to 1200 kilometres from any one station, which allows for more complete coverage in theArctic? where monitoring stations are sparsely distributed, but where the warming trend is especially strong.

The NASA team also corrects the data to remove local heating caused by dense human settlements ? a phenomenon known as the urban heat island effect. Temperature stations in urban areas are identified by referring to satellite images of the light they give off at night, and their records are adjusted to reflect the average trend of nearby rural stations.

Source: http://www.npr.org/blogs/krulwich/2013/01/19/169718818/miss-piggys-version-of-global-warming-what-about-me?ft=1&f=1007

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West African leaders gather for Mali summit

BAMAKO, Mali (AP) ? West African leaders headed to a special Mali summit in Ivory Coast on Saturday to discuss how to step up their role as the French-led military intervention to oust Islamic extremists from power entered its second week.

Neighboring countries are expected to contribute around 3,000 troops to the operation in Mali, aimed at preventing the militants who rule northern Mali from advancing further south toward the capital.

While some initial contributions from Togo and Nigeria have arrived to help the French, concerns about the mission have delayed other neighbors from sending their promised troops so far.

Ivorian President Alassane Ouattara said Saturday that Mali's neighbors must work together to eradicate terrorism in the region.

"No other nation in the world, no other region in the world will be spared" if large swaths of the Sahel are allowed to become a 'no man's land,'" he said.

At Saturday's meeting, the big issue will be sorting out a central command for the African force, a French official said on condition of anonymity because he was not authorized to publicly discuss the sensitive security matters.

Nigerian Gen. Shehu Usman Abdulkadir is expected to be named the force commander.

Speaking Saturday on French 3 television, French Defense Minister Jean-Yves Drian said France now has 2,000 troops in Mali and has mobilized 2,900 in the overall operation in places like Senegal, Burkina Faso and Niger.

He said France "could go beyond" the 2,500 troops initially announced for Mali, and said that at full deployment, Operation Serval would involve some 4,000 troops in the region.

Meanwhile, Le Drian insisted "there has been no ground combat in Diabaly" involving French troops,

French forces have moved around Diabaly to cut off supplies to the Islamist extremists who took the town on Monday, said a French official who spoke on condition of anonymity to be able to discuss sensitive security matters.

Mali once enjoyed a reputation as one of West Africa's most stable democracies with the majority of its 15.8 million people practicing a moderate form of Islam.

That changed last March, following a coup in the capital which created the disarray that allowed Islamist extremists to take over the main cities in the distant north.

The U.N. refugee agency said Friday that the fighting in Mali could force as many as 700,000 people to flee their homes in the coming months.

___

Corey-Boulet reported from Abidjan, Ivory Coast. Associated Press writers Krista Larson in Bamako, Mali and Jamey Keaten in Dakar, Senegal contributed to this report.

Source: http://news.yahoo.com/west-african-leaders-gather-mali-summit-140131254.html

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Weidmann says ECB is not the only crisis manager: paper

(Reuters) - Bundesbank chief Jens Weidmann warned against relying on the European Central Bank as the only crisis manager, telling a Finnish newspaper that its bond buyback program me was risky.

"Central banks in recent years have been pulled into the role of a crisis manager. Some think that central banks are the only able ones. I consider this thinking wrong and dangerous," Weidmann, also ECB Governing Council member, told Helsingin Sanomat in an interview.

His comments were published in Finnish on the newspaper's website on Sunday.

Weidmann reiterated his criticism of the ECB's program of buying bonds on the secondary market of highly indebted euro member states.

"The program can bring considerable risks to the monetary policy. Those risks now have to be limited and prevented," he was quoted as saying.

Weidmann said the greatest risk is that the cheaper financing takes away the incentive for fiscal reform.

"Monetary policy can only buy more time. It is like a painkiller which will not erase the reasons but can cause risks and side effects," he said.

He also warned against Europe depending on the ECB to supervise banks in the banking union.

"That would mask the conflict of interest between the supervision task and monetary policy. I hope that the ECB would only serve as a helper," he said.

(Reporting by Ritsuko Ando; Additional reporting by Jussi Rosendahl in Stockholm; Editing by Louise Heavens and Hans-Juergen Peters)

Source: http://news.yahoo.com/central-banks-not-only-crisis-managers-ecbs-weidmann-094642570--business.html

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শনিবার, ১৯ জানুয়ারি, ২০১৩

Video games and libraries are a good mix, say librarians | VentureBeat

Walk into any public library and, of course, you see books, reference materials, newspapers, magazines, and all types of the printed word. We might also see comic books, manga, and less traditional ?literature.? These days, we encounter film, television, music, internet-connected computers, and other digital media. But video games?

Libraries lend video games, and they have been for some time. Some folks might think video games have no place in public institutions.?Some?articles on the web assume that readers will cringe when they hear that this is happening. ?Libraries and librarians, however, seem to overwhelmingly support the practice.

The American Library Association endorses video gaming, placing these in a similar class to board games. The?association is clear?about?whether kids should ?play video games in libraries:??Video gaming at the library encourages young patrons to interact with diverse peers, share their expertise with others, including adults, and develop new strategies for gaming and learning.?

Video games are yet another way for kids ? and adults ? to learn and to interact socially. ?Learning a new set of rules, learning new symbols, and reading the text that comes with some video games and RPGs is just as much of an educational effort as reading a book. It?s different, mind you, but still valid. One certainly doesn?t replace another,? said Emily Reeve, a librarian based in Denver.

?Gaming in libraries, whether it?s sitting at a computer playing a video game online or playing a board game with friends, is a sociable experience, especially for kids,? she said in an e-mail conversation with GamesBeat.

Libraries are public spaces

Modern libraries, she said, are becoming more about public space than just about books. The concept of what a library is continues to evolve, with in-library coffee shops, teen spaces, early literacy programs, and new media collections all a part of this conceptual idea of public space at the library. Video games are a logical extension of this, with parents interacting with their children to choose the right games for their children and then connecting with library staff to get help. ?It?s definitely in the interest of libraries to meet the needs of the community and engage and create relationships with community members,? Reeve said.

?Libraries hit a turning point when they made the decision to start including popular media in their collections,? writes Brian Mayer at Library Gamer. ?By doing so, they shifted their collection development practices to be more inclusive of what their patrons want, embracing the desires of the community.?

As with many new media, beginning efforts are often met with concern ? or outright fear, leading some libraries to hold off on offering video games.

?Games deserve their place among the other significant cultural media of our time, on par with television and graphic novels,? said Dr. Guy Berthiaume, the CEO of the Biblioth?que et Archives nationales du Qu?bec (BAnQ). In a post on CultMontreal, he says that providing video games can help teens understand that the library is a place for them as well.

Reeve agrees and takes this a step further, saying that public libraries exist to serve the needs of their communities. ?Just like providing Internet access allows patrons free access to more information, providing access to media allows patrons access to additional material to improve overall literacy skills,? she said. ?It?s just another format, another way of engaging people whether it?s viewed as pure entertainment or not.?

Budgets, not copyright, the real issue

But what about copyright issues? Lending games to one patron at a time doesn?t seem to violate?any end-user license agreements (EULA), says Reeve. ?As I understand it, libraries can circulate video games like other media items under the assumption that the games are?legally purchased and are used by one person at a time. Libraries, and librarians, are not responsible if items are illegally reproduced no more than an individual lending an item would be.?

Public exhibitions of multiplayer games, like the Guitar Hero (Activision) or Madden (Electronic Arts) series of games, however, may need special licensing or added agreements with publishers, according to an older article in the School Library Journal.

?A library looking to host an event like you?re describing for a licensed game would need to contact EA for a separate agreement,? said ?John Reseberg, the senior director for EA Corporate Communications. ??However, it is something of a nonissue ? we look at each request individually, but an event of this type, as long as money is not changing hands, would typically be approved.?

Guitar Hero publisher Activision didn?t respond to repeated requests for comment.

Ultimately, providing video game lending is no different from collecting movies, board games, or other recreational items other than books. It could even bring in new patrons who might not otherwise visit a public library or apply for a library card. ?Publishers have picked up on the trend of gaming and provide gaming guides and some have even developed fiction based on particular gaming universes,? said Reeve. ?If libraries are willing to collect these items, people will check them out. Of course, simply getting people within the walls of the library can remind them of books or movies and other items or services they might be interested in.?

Whether your library has video games to check out may come down to its budget.?It seems, then, that while most librarians and academics don?t have a problem with libraries lending video games as a general rule, the budgets for public libraries are still shrinking. Adding a comprehensive gaming collection to an already overstressed library budget could be a hard sell. ?With public library budgets being unstable in recent years,? said Reeve, ?it?s irresponsible to start developing a collection without secured and continued funding.? Collections must include current games, and they need to work on systems that patrons have in their homes; collections must have?working copies, with the inevitable replacement costs well in hand.

Source: http://venturebeat.com/2013/01/18/video-games-and-libraries-are-a-good-mix-say-librarians/

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CSN: How to stop 49ers: 'Blow somebody up'

Call it selective memory, if you will.

Atlanta safety William Moore was asked earlier this week about the lone time he faced Colin Kaepernick in college, when Moore was at Missouri and Kaepernick at Nevada. And by Moore's exhale and reaction, you would have thought Kaepernick and the Wolf Pack had run wild over the Tigers.

"The option," Moore said, "was a problem. That dude, yeah, he's pretty good, man."

Yeah, Kaepernick ran for 71 yards on eight carries on Sept. 13, 2008, including a 35-yard burst. But Mizzou blew out UNR that day, 69-17. No doubt, then, that Kaepernick made a big impression on Moore, one that lasts to this day.

"I like where he's at right now and what type of player he's grown to be," Moore said. "I look forward to playing him this week. He went in there and made a statement in San Fran. It's our job to contain him.

"Players like that, you can't stop; you just contain them?he's going to show up. And it's our job to show up with him."

Kaepernick is coming off his record 181-yard rushing day, so no doubt the Moore and the Falcons believe Kaepernick and the zone-read option will be at the forefront of the 49ers' attack Sunday in the NFC title game at the Georgia Dome.

So how do the Falcons make Kaepernick less eager to run the ball against them?

"That's one of those things where if you get the opportunity to blow somebody up and make a statement," Moore said, "that's what you want to do."

Saying it is easier than doing it, though.

"This is the championship," Moore said. "No guy's going to lay down after you smack him. He going to come back and try to get you, so you've got be prepared for it."

Source: http://www.csnbayarea.com/blog/paul-gutierrez/moore-looks-blow-kap

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